I'm at the Starbucks on Collins and Green Oaks in Arlington. For whatever reason, tonight it's overrun with college students and other assorted folk, and I can't find one open chair.
In one corner, there are four black men holding bible study. They're discussing John 10:9, and the leader of the study is reading passages and sounding phenomenal. It makes me want to not only pay attention, but jump in to the conversation.
These days, I'm eating too much. It's a reaction to not having to meter out what I spend on food due to my income. I started taking vitamins again, and cut out sodas this week, and eventually I need to cut down on the amount of beer I drink. I need to lose the weight / beer belly, plain and simple.
I'm waiting for Richard, so we can go over improvements to his web site. The next week is crucial, as he's getting a lot of inquiries about the Wild Ass Circus. Damn, I hope this works out for him.
More people are showing up, and it's screwing up my plan to shark two good chairs and a workspace. David Cross' illegitimate brother / evil doppleganger keeps walking in and out, never sitting down but refilling his flagon of coffee. He creeps me out.
Something in my brain wants to write a set piece scene in a movie where a disgruntled guy comes in to a coffee house and starts emptying a shotgun into the pretentious patrons, but Terry Gilliam did it better than I ever could muster in 'The Fisher King.' On top of it, the movie would never see the light of day, since everyone would be scared of copy-cats.
This may very well be the best caramel macchiato I've ever had. Period.
Right as I think I'll have to tell Richard we need to find another place in the area with Wi-Fi, the guy next to me leaves, giving up a seat and table next to a power outlet. Synchronicity. Of course, Richard arrives at that moment but he's trapped on the phone.
Two minutes later, the couple leaves the plush Good Chairs across the store. I hop over, only to realize they're not good places to do collaborative work. A sheepish grin plastered on my face, I go back to my original tables with the straight back wooden chairs.
Richard is done with his call and comes inside, and we get right to work. He looks like he hasn't slept in a while, but he swears he's doing fine. While I want him to delve in to how he's taking the whole situation with the Ticket, I know he's wound tightly to get through this spell of unemployment. He'll decompress soon enough, but right now we need to get his show back on the air.
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